Rocío Montoya
In its seventh year, the Changarrito has played a role in the lives of many artists, curators, and writers. Montoya’s documentation of the Changarrito and its function is an example of this. Rocío Montoya - México 2008
Entradas
Hernán G. Lanza
Lanza’s piece is poetic, quiet, and formally balanced. It’s a beautiful and personal snapshot of a moment that cannot be recreated. Hernán G. Lanza - Argentina Hocus 2 - 2008 Impresión digital sobre papel plata 31 x 21.5 cm
Nirvana Paz
Paz has captured a moment that is ubiquitous in Mexico. The scene is a common one, and has been captured with technical clarity. Nirvana Paz - México Sin título - 2008 01-07: fotografías, 104 x 44 cm. aprox c/u
Pablo Dellamea
I love this photo for its grotesque quality. It’s bloody, nasty, and totally mesmerizing. Pablo Dellamea - Argentina Sin título - 1996 Fotografía 33 x 40.4 cm
Raquel Olvera
Personally, I consider this piece to be metaphorical for love and intimacy. I see the matchsticks engaged in a very intimate moment of love and partnership. It really is quite beautiful Raquel Olvera - México Fugacidad I, II y III (¿Sabes lo que es un beso?) - 2010 Tríptico: foto digital, 56 x 25 cm c/u
Michael Hernández de Luna
Hernandez de Luna’s piece is a conceptual and silly play on diffusing information and satire. It’s awkward, uncomfortable and funny. Michael Hernández de Luna - USA Just Horsen Around - 1999 01,02: objeto-collage, 51 x 40,5 cm c/u
Luis Romero
The statement is obvious and true. Sometimes it just needs to be affirmed. Luis Romero - Venezuela Nada es para Siempre - 2008 Antigua imprenta de tipos móviles de madera y plomo Instalación, diversos afiches serigrafiados, 50 x 70 c/u Forma parte de "Tipos Móviles", un proyecto de Luis Romero para la Trienal de San Juan 2009